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However, if one considers “postmodern” lucidity as just the prolongation and the exacerbation of “modernist” formalism, then realism and the subsequent modernist/postmodernist aesthetics would each be manifestations of modernity cheap links of london , representing two opposite sides of the same coin. Both remain trapped in a dualistic either/or way of thinking, in the binary Cartesian logic of the same and other. Modernity’s “Western liberal humanistic” or “common sense” view of the subject and of reality is the philosophical foundation for literary realism, which the modernists rejected links of london sale. It makes the “autonomous Kantian subject” or the “reason-centered Cartesian subject,” the transcendent index of human nature, the center of consciousness and of mastery, the origin and source of meaning, truth, and history-as Jacques Derrida has shown, this idea of self as center is founded on the presence of a transcendental signified (”La Structure” 411-416 links of london sweetie). It assumes a common phenomenal world, a stable reality, external to the subject, objectively grasped by the senses, and reflected by “the mind as a great mirror”. This vision of the world is essentially dualistic, “the center functioning as pivot between binary opposites which always privileged one half: white/black, male/female, self/other, intellect/body, west/east, objectivity/subjectivity” (Hutcheon, Poetics 62). Thus, we have the extremes at each end of the (realist/modernistpostmodernist) spectrum: intentionalism and anti-intentionalism, mimesis and formalism, contextualism and textualism, totalitarianism and absolute relativism links of london friendship, subject as center and the death of the subject, absolute Truth and a total lack of meaning.