This book may sound like a doctoral dissertation but it doesn’t read like one. Jon Solomon, a classics professor at the University of Arizona, is not one of those pedantic christian shoes who is put off his popcorn by an incorrectly belted tunic or a XVI– dynasty headdress on an XV-dynasty mummy. Leaving such details to those he calls “Ph.D.d scholars,” he goes on an erudite romp through 400 “sword-and– Christian Louboutin Pumps” movies, examining such wideranging topics as when historical accuracy is important and when it is disastrous, why moviemakers are forced to “deGreek” Greek tragedies, and what Roman empress’s name became the modern Italian word for “chesty.”
Many people today dismiss ancient history as “ancient Christian Louboutin Sandals,” but it was all the rage a hundred years ago when movies began. Late 19th-century culture was awash in antiquity, from serious works such as The Last Days of Pompeii by Edward Bulwer-Lytton, Salammbo by Gustave Flaubert, and Oscar Wilde’s controversial play, Salome, to popular reading fare such as Quo Vadis?, Civil War General Lew Wallace’s Ben-Hur, and a short story that threw the entire country into a state of unbearable suspense, “The Lady or the Christian Boots?” by Frank Stanton.
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